CONTENIDO : Los signos. -- Signo y verdad. -- El aprendizaje. -- Los signos del arte y la esencia. -- Papel secundario de la memoria. -- Serie y grupo. -- El pluralismo en la teoría de los signos. -- El antílogos o la máquina literaria. -- Conclusión: La imagen del pensamiento.

RESUMEN : Deleuze looks at signs left by persons and events in Marcel Proust's In Search of Lost Time, illustrating how memory interprets the signs creatively but inaccurately. The jealous lover, for example, cannot accurately decipher the deceptions of his beloved. Deleuze demonstrates how Proust's book, because of the multiplication of signs, becomes a literary machine, or rather three literary machines: of partial objects or impulses, of resources, and of forced moments. Deleuze understands Proust (or the narrator) as the "universal schizophrenic" whose signs weave a spider web by sending out threads to the paranoiac Charlus and the erotomaniac Albertine, all "marionettes of his own delirium" or "profiles of his own madness." These thematic links between signs, events and love are taken up elsewhere in Deleuze's work, most notably in his Capitalism and Schizophrenia collaborations with Félix Guattari.